
Tulum: This building is called Temple of the Frescos. It is important because it's architecture has a lot of Mixtec influence, indicating a flood of influence in the Post-Classic. The building was first a simple, single story small temple, now preserved as the interior rooms. On its outside were the black, yellow, and white murals depicting an old woman, probably not Ix chel (Ix chel was a beautiful young woman - no one quite knows who this old woman is). In any case, she is holding two images of Chac. She is surrounded by plant images, apparently mostly of beans. The entire scene is bounded by knotted Sky Bands, usually an edging implying power and the realm of the gods.
The second addition, made sometime after 1450, is the outer, four columned "porch" that protects the murals. It has three panels along its top, all in poor shape. The sculpted stucco center panel depicts a Diving God, flanked by a seated figure on each outer panel. The Diving God has been linked as a god - Ah Macehcabob - of bee keepers and/or as Xux Ek, the "wasp star" or Venus diety. The image may have changed names and functions over time, but we do not know at present. Certainly honey was important, being the only sweetener know to the Maya, but the constant warfare in the Post-Classic may have equal importance. Carved stucco Chac masks are innovatively wrapped around each corner on the outside of this addition. These Chac faces are similar in style to those on Stelae 5 at El Tajin, but post date the El Tajin stelae by several hundred years.
The last addition was the second story temple with the west-facing staircase.
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